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Watercolour: A Wild Creature, not a Caged One

Writer: Christine AllanChristine Allan

Watercolour isn’t the kind of medium you can just boss around. It won’t sit obediently within the lines or do exactly what you expect. It’s wild, fluid, and sometimes a little rebellious. And honestly? That’s what makes it so incredible, so alive.

I see a lot of novice artists trying hard to force watercolour into submission, expecting it to behave like acrylics or oils. They want it to follow strict rules, to do exactly as they say. They quickly feel defeated and give up when it won't. But watercolour has a mind of its own. The more you try to control it, the more you stifle its magic.

Think of it like working with a wild animal. You don’t demand its trust—you earn it. You watch how it moves, you learn its habits, and you respect its nature. Instead of fighting it, you flow with it. When you do that, you start to see its true potential.

The trick is finding that sweet spot, where you guide the paint but still let it breathe. The very best watercolour pieces, in my opinion, keep a bit of that untamed spirit. A soft bloom of colour that spreads unexpectedly, a watery edge that takes on a life of its own, these moments are where the magic happens.

So, if you’re struggling with watercolour, don’t get frustrated. Don't give up, don't fear it, but don't force it. Instead, take a step back and really watch it. Let it surprise you. Experiment. Play. And most importantly, let it keep a little bit of that wildness.

Next time you pick up your brush, try loosening your grip, both literally and figuratively. Let the paint do its thing and see where it takes you. You might just be amazed at what you create.


The unicorn, the national animal of Scotland and mythical creature, a 1-hour watercolour sketch. Wild in spirit.
The unicorn, the national animal of Scotland and mythical creature, a 1-hour watercolour sketch. Wild in spirit.

 
 
 

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